x


Jul
Jul
+ tru

zanemalicks:

common phrases used by racists

Jul

Opal/diamond/gold ring

Jul
+ video

Jul
crocodilepatronus:

………..Kim K game getting a lil too real….. 

Jul
nude-soul:

white people

Jul
Jul

Jul
inkimyewetrust:

Kanye West emoji emotions  

Jul
booksandwildthings:

swagbat:

how game of thrones should end

#khal drogo just #descends from the heavens #on a flaming stallion #punches everyone in the face #and sits his fine dothraki ass down on the iron throne #until daenerys shows up #then he stands #dusts the seat off a bit #and steps aside for his khalessi
booksandwildthings:

swagbat:

how game of thrones should end

#khal drogo just #descends from the heavens #on a flaming stallion #punches everyone in the face #and sits his fine dothraki ass down on the iron throne #until daenerys shows up #then he stands #dusts the seat off a bit #and steps aside for his khalessi

Jul
Jul
"It’s been widely known that approx. 70% of hip hop consumers are White men. It’s also true the over 90% of all record labels, magazines, TV/ radio stations, and retailers disseminating hip hop related products are White-owned (source). In The Big Payback, we see that in almost every single background story about the coming up of an artist (DJ, MC, or otherwise), the Black subject always plays a creative role and there are always these White and/or wealthy men who capitalize on that Black artist. So at what point do we realize that the way we consume hip hop in the mainstream today is funneled through White hands with no cultural roots in the creation of the art of hip hop itself?

Paul Moody is famous for saying “Everybody wanna be a nigga, but nobody wanna be a nigga” (source). What he says represents the ways in which Black people (particularly African Americans) have shared and expanded their cultures, only to have those ideas, creations, and traditions co-opted and bastardized into money-making, capitalist tools. Lyor Cohen of Def Jam, Jerry Heller of Ruthless, Jimmy Iovine of Interscope, and so many more since have been founding, managing, and marketing Hip Hop record companies. In more ways than one, having White CEOs of hip hop-centered companies can either directly or indirectly focus the way hip hop is marketed and determine what audience it appeals to. This is why we have the majority of mainstream hip hop consumers being White men- because White men pull the strings behind the product."

The Appropriation of Black Culture through White Consumption of Hip Hop

-Jack Qu’emi 2014

(via navigatethestream)

Jul
paigelanell:

#nyc #doihavetogo
paigelanell:

#nyc #doihavetogo

Jul
+ kuwtk
Jul
+ video

shotarokaneda:

this is what happens when you marathon all 291 episodes of dragon ball z

theme